Solace Between Two Opium Fiends, 2024, Work in progress
oil and mixed media on xuan paper
(H) 38 x (W) 87 cm
(H) 87 x (W) 38 cm
diptych
oil and mixed media on xuan paper
(H) 38 x (W) 87 cm
(H) 87 x (W) 38 cm
diptych
‘Solace Between Two Opium Fiends’ is a diptych that explores the complex realities of opium addiction in 19th-century Singapore. The painting presents a narrative of two Chinese coolies, Ah Li and Ah Cheng, immersed in their shared addiction. The opium pipe, operates as their solace and their bondage, bridges the divide between them. The conversation text becomes a means to tell their tales, suggested by ChatGPT, invites viewers to cross-examine both paintings for a comprehensive understanding of the dialogue.
The term “opium fiend” was used in the 19th century, particularly in Western countries, to describe individuals who were addicted to opium. This label was often used in a derogatory manner, contributing to the stigmatisation of Chinese immigrants, who were disproportionately affected by opium addiction. Opium, though legal, was expensive, often consuming up to two-thirds of a coolie’s wages. Yet, it was their solace, their escape from the gruelling realities of their daily lives. This paradox is at the heart of the artwork.
The term “opium fiend” was used in the 19th century, particularly in Western countries, to describe individuals who were addicted to opium. This label was often used in a derogatory manner, contributing to the stigmatisation of Chinese immigrants, who were disproportionately affected by opium addiction. Opium, though legal, was expensive, often consuming up to two-thirds of a coolie’s wages. Yet, it was their solace, their escape from the gruelling realities of their daily lives. This paradox is at the heart of the artwork.