Dear Creative Australia Grant Assessment Panel,

.As indicated by Creative Australia, the preferred method of receiving support material is via URLs (weblinks). So please find these here:
 

• 9 images, 1 video of 8 artists' portfolio
  
• 4 pages of exhibition proposal detailing activities, timeline, further action plan and meeting Creative Australia’s International Engagement Strategy criteria
• 2 exhibition review links

Artist Portfolio (9 Images, 1 Video)

Ilona McQuire, Holy Ground, 2022, performance art

Brian Robinson, Cursed be the ground for our sake, 2022, vinyl cut, 100 x 200 cm

Tyrown Waigana, Heavy Bottom John, 2024, digital Print on Paper, 110 x 77.5 cm

Nazerul_Ben-Dzulkefli, 2024, Instructions For Starting Anew Elsewhere, Stained stoneware, meranti wood, beeswax, dimensons variable

Ezzam Rahman, It Is Good To Know Who You Are Not 1, 2023, artist’s skin, used anti-inflammatory plaster, threaded wire, ball bearing, porcelain bowl, adhesive and epoxy resin, 25 × 10 × 10 cm

Alya Rahmat, Balada Wanita Melayu Terakhir. (Ballads of the Final Malay Woman), 2022, batik and wax. 3.5m x 1m.

Anthony Chin, OKA9420 岡九四二零,2024, Paint, archival-print canvas, spray paint machine (electronics, electrical & mechanical components with acrylic victorine), Canvas 60 x 180 cm each (total 6 canvases); Spray paint machine

Desmond Mah, Trollus Negatorius 20240826, Australis, 2024, acrylic paint and bamboo on xuan paper with QR code to accompanying AI voice,
(H) 37 x (W) 15 x (D) 20 cm,

4 Pages Exhibition Proposal and Plan

Critical Reviews of Desmond Mah's Previous Projects

2024 Paper Trails Between the Lion and The Swan

2023 (Re)borrowing Arrows From Thatched Boats